There is a subtle electro-pop grace to this offering. Think Moby meets Kari with all the attention to electronic detail and all the power of Jesus-culture-esque anthemic worship songs.
Ellie Holcombe’s sophomore album, Red Sea Road, reflects hope and light while portraying southern gospel and country influences to her distinctly acoustic indie pop style.
The recordings on this EP are passionately well produced, with lush depths of sonic brilliance and musical excellence.
Prestonwood Worship embraces the contemporary modern worship genre with excellence through big name artists backed by both mass choir and a standard worship band.
Split the Sky is the sound of ancient-future faith, pushing the limits of modern worship style while pulling in retro sounds from eras past.
Hillsong Worship, that is to say, beautifully produced high-energy worship and praise with musical quality, passion, and clarity.
Never Lose Sight is the much-anticipated release from Chris Tomlin, and it features another diverse group of songs for the church to sing. The first two songs on the album will already be familiar to most listeners. Tomlin’s ve...
Bright and beautiful. If you want acoustic-driven Wickham, go to his Singalong CDs, Children of God is pure high-energy synth praise. Guitars are fully present but mostly as background/scaffolding to hold up the beats and Wickh...
Definitely EDM-driven but there is a bit of diversity on the release with a few down-tempo piano ballads and pop anthems.
Powerful congregational worship filled with anthems and intimacy, this release uses orchestrated strings, guitar drives, even piano ballads to elevate the lyrics in worshipful beauty.
Organic piano-driven music mixed with electro-pop worship with a strong radio crossover appeal.
Stars Go Dim’s self-titled release is an all-around creative, worshipful, and well-crafted modern pop, rock, and soul album, deserving of both radio play and worship service use.
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