Interview: Josh Fox

joshfox

Josh Fox is a worship leader at Vintage Faith Church in  Santa Cruz, CA. With an outstanding new worship CD just released, Josh took a moment to share his journey and offer tips on producing a CD as well as staying in worship ministry for the long haul.

Tell us a little about yourself. How did you come to become a worship leader where you are today?
I was born in the land of lumberjacks and marijuana—Humboldt County. My mom is a songwriter and worship leader and would sing me to sleep ever since I can remember. My dad can’t hold a note, but he taught me worship just as powerfully by showing me it’s much more that making a nice sound. 

God got hold of my heart at age 16, and that’s when I discovered music. As a heartbroken teen out of a failed relationship, music became my drug of choice. I started out serenading cute girls with my friend Kevin, then joined a number of bands and played coffeehouses and clubs. When I turned 19, I was asked to lead music for a group of high school students at John Maxwell’s church in San Diego. I was overwhelmed by how God would show up in times of musical worship and wreck me with His love. Seeing students encounter God through the songs gave me a deep love for leading. I felt like I had the best seat in the house.

When I moved to Santa Cruz in my 20s, I got involved serving in youth ministry with a guy named Dan Kimball. Dan and I would go on to launch an alternative worship gathering in our church called “Graceland” which grew and developed into a church plant—Vintage Faith Church. I never thought I would be doing what I’m doing today, and I feel like the luckiest kid on the block for getting to pursue something as life giving as leading others into the presence of God through song.

You have been working with Dan Kimball for nearly 20 years. What are some of the keys to successful worship ministry for the long haul? 
There are the essentials—practicing the presence of Jesus, soaking my mind in truth from the Scriptures, but I think what keeps me going is the mission that Jesus gave us to share Himself with the world. That mission really does drive me, and motivate me—thinking of people who don’t yet know Jesus and what would happen if their lives collided with His grace. That’s a motivator for the long haul. Another thing that keeps me going is the pure joy of music and songwriting. I can’t think of anything more fun and fulfilling than expressing something to God from deep within and joining with a group of people to sing that out. There is something holy and spectacular when the Church expresses her love and total admiration to Jesus in song.

Dan Kimball is an amazing friend and pastor. After serving together for twenty years, he has become more like an older wiser brother to me than anything. I respect Dan immensely and think the world of him, but I think what has kept us moving forward together in ministry for so long is a shared commitment and passion for those outside the faith. We also just have a ton of fun together. I can’t think of anybody I’ve laughed harder with than Dan.

Your new release Rescue both fresh (in a neo-Americana kind of way) and congregational. How do you balance artistic quality with accessibility?
I love creativity and I think you have to be connected with your art, and passionate about what you are creating as an artist. Since we’re called to do everything as unto the Lord, we need to also try and create art that doesn’t stink, so quality has to be ranked high. In the end though, if your goal is to lead people into an encounter with God through a song, whether or not they connect is paramount. 

We also need to keep in mind that we are teaching people what God is like through our songs. We need to be thinking theologically, and asking ourselves, “Are we helping people understand WHO this God is that we’re encountering and what He is like?” We can be poetic of course, but not to the detriment of losing the opportunity for deep truths of God’s word to be clear.

What songs are you specifically excited about or what songs are people already responding when you lead them?
There’s a song called “Your Joy” that’s been fun and powerful. It’s such a simple song, and the message of the song is almost kid-like: that we’re God’s “joy” – his son, his daughter and He is making us new. We did that song at our Easter gathering, held in an auditorium where Johnny Cash and the Ramones once played. It was incredibly hearing a thousand voices sing out those truths in that place. (“Your Joy” is available as a free download here.) 

Another song that has been special for our community is “As We Wait.” The song leans toward lament in its genre and was written from a place of deep anguish. We had two of our key leaders battling cancer, and wanted to write something that could encourage them and the rest of the community in the truth that God’s loyal love will hold us and see us through. The song has been a vehicle of healing and inspiration for me and the people of Vintage.

Worship leaders are starting to get more and more interested in putting together worship CDs for their local communities. What are some things they should be aware of before jumping in?
I love that churches and worship leaders are writing and producing their own songs. Every church is unique and God is doing something special in each community. Here are some thoughts on what to be aware of before jumping in:

1. Determine the goal of the project—what is your goal with the project? What do you hope to see as a result when it’s all done?  

2. Make sure the goose is cooked. If the songs aren’t ready, or have not been “road tested” in a live setting, then you’re probably not ready to jump in to record them. 

3. Pre-production is KEY! Don’t just rush into a project. Map it out. Demo the songs first with simple acoustic or piano and vocal. Map out the arrangement, and instrumentation. Have a clear idea of where you’re going with vocal harmonies and group vocal. The more you do on the front end, the easier and more smooth the entire project will go.

4. Assemble the right team. Gather the musicians who are going to make the songs on the project come to life in the most affective way. If you don’t have players who are experienced in the studio, this can be a great way to develop them but will take a lot more time to finish. If you don’t have a pool of amazing players in your church, hiring studio musicians who understand your unique identity as a church can be a great way to accomplish the goal. 

5. Like any great artistic endeavor, plan on it taking twice as long as you expect. But enjoy every minute of it!

You have said that you are interested desire to “introduce new generations to Jesus through creative expressions of mission.” What does that mean, and what are some practical ways you go about that?
As the Church, we need to continue thinking outside the box when it comes to engaging nonbelievers with the story and Person of Jesus. We’ve done this through multi-facetted art shows, interactive prayer stations in worship, public art installations in our downtown area featuring artists depicting ‘stations of the cross’ and things like that. We launched a coffeehouse called “The Abbey” that is also a art gallery and music venue which draws in hundreds of university students every week to the campus where they then hear about the church as a whole. The Abbey won three awards in our local paper last week for best coffeehouse music venue, best student hangout, and best wifi coffeehouse. We built a music studio on campus that opens next month to the public, which will be used not only for original worship type music, but for local bands, kid’s learning center, podcast, author interviews, etc. Next year, we’re hosting a film festival where every entry will be under three minutes long. Creative expressions like these help shatter negative stereotypes of Christianity and the church, and draw people to the heart of God.

What are you most excited about for the next 20 years of leading worship?
Continuing to sense the presence of God in such a palpable way through music and song.

Expressing what’s deep in my heart in words that others will also feel and want to sing to God.

Being part of the soundtrack of the church rising up to be the culture shapers and world changers that Jesus had in mind.

Seeing the church “come to its senses” with multi-sensory creative worship—fine art, poetry and spoken word, short film, interactive sacred space, and more.

Growing in friendship with other worship leaders and church leaders as we serve to inspire the church on mission for the One who’s rescued and is restoring us.

Josh’s new album Rescue was just released on iTunes. Click here to listen.

For more on Josh, visit, joshfoxmusic.com.

Set list: April 30, 2013

Setlists500px

 

 

 

Most Played Song This Week:
One Things Remains 
- Brian Johnson, Christa Black Gifford, Jeremy Riddle

Second Most Played Song:
10,000 Reasons  – Jonas Myrin, Matt Redman

All Other Entries: 

10,000 Reasons
All My Hope
Always
Amazing Grace (My Chains Are Gone)
Battle belongs to the Lord
Beautiful Things
Because of Who You Are
Better Is One Day
Blessed Be Your Name
Break Every Chain
Break Every Chain
Build Your Kingdom Here
Center
Come Just As You Are
Come Now is the Time to Worship
Come Thou Almighty King
Come, Now is the Time to Worship
Communion
Crown Him (Majesty)
Deep Cries Out
Draw Me Nearer
Every Move I Make
Forever Reign
Freedom
Freedom Reigns
Garment of Praise
Give You Glory
God Will Make A Way
Great I Am
Great I Am
Hallelujah
Hallelujah (Your Love Is Amazing)
Happy Day
Hear Us From Heaven
Here I Am to Worship
Here’s My heart
Here’s My Heart, Lord
Holy and Annointed one
Holy is the Lord
Hosanna (Praise Is Rising)
How Great
How Great Is Our God
How He Loves
I Am Free
I Can Only Imagine
I Love You, Lord
I sing praises to your name
I Surrender
I Surrender All
In Christ Alone
It Is Well with my Soul
Jesus Be Praised
Just Over in the Gloryland
Let it rain
Like a Lion
Lord I lift your name on high
Lord You Are Good
Made To Worship
Majesty
Marvelous Light
Mighty To Save
More Than Amazing
No Sweeter Name
O Praise Him
One Thing Remains
Our god
Our God
Please be near
Praise Him! Praise Him!
Praise is the Offering
Praise The Father, Praise The Son,
Promises
Revelation Song
Rooftops
Say the Name
Say to my Soul
Short Glory
Shout to the Lord
Son of God
Song of Ezekiel
Sound of Melodies
Step by Step
Ten Thousand Reasons
The Lamb Has Overcome
The Lord Reigns
The More I Seek You
The Stand
The Trees of the Field
There’s just something about that name
They’ll know we are Christians by our Love
To God Be the Glory
Trading My Sorrows
Victor’s Crown
Victory Chant
Victory in Jesus
We Are Here To Worship You
We cry out
We’ll Understand it Better By and By
When the Stars Burn Down
When We All Get to Heaven
Word of God Speak
You Are Holy (Isaiah)
You Are My Passion
Your Grace Is Enough
Your Love
Your love never fails
One Thing Remains

 

 

 

Interview: Carlos Whittaker

1-losnew

Carlos Whittaker, the well-known creator of Ragamuffin Soul, released his new album, Fight, this week. It is an explosive and expansive recording that lifts hearts in worship as sure as it lifts our spirits in fresh musicality and creative approach. Whittaker took some time to answer the things we had on our mind.

Tell us a little about your new release, Fight. What’s the significance of the title and what would you say are the prominent themes?
The purpose and mission of this next record is the kick the devil to the curb. Lol. What I try to do is to deliver to the listener tools to actually accomplish this mission. Ephesians chapter 6 verse 12 says this… “For our struggle is not against flesh and blood but against the rulers against the authorities against the powers of this dark world and against the spiritual forces of evil in the heavenly realms.” The record sits in a space where that is the end goal.

Fight innovates partially because in places it reaches back to a more synthy sound. What can listeners expect to hear on this new release? And what was your inspiration to move in that direction?
The sound is definitely driven by keys on this record. People consider me this creative guy. People hire me to be their creative coach. So I had to stretch my musical style and do something completely different.  The goal wasn’t to just come up with a different sound, but I surrounded myself with people that were farther along in their musical journeys than I am. The thought was not to have a more keyboard driven sound, but in the end the results was this. 

With that in mind, how important is it for you (for any artist) to stretch the creative boundaries inherent in the Christian genre?
I obviously believe that we serve a creative God. If we serve a creative God it is our utmost responsibility to pour our creativity into our arts. I think stewarding this responsibility well, is going to be what drives us to the next level musically

Why do you think there are stylistic “boundaries” in Christian music … worship music in particular?
Stylistic boundaries are found in all music genres. The thing is is that Worship music is still a newborn when it comes to a style. I believe that it will ultimately keep evolving beyond where it is today. But I definitely think the guitar-driven leads and delayed sound is going to be a thing of the past.

What are some of the elements that every worship record should have?
Scripture, Scripture, Scripture, if our songs are not coming from scripture and just from our hearts then there is a possibility that we will lead people astray. I do believe that we need to pool our stories out of our souls, but we must attach them to Scripture.

You have a thriving online community. How has this aspect of your life influenced what you produce as an artist and worship leader?
I believe that my online community is essential to the music that I create. The stories of struggle that come out of my blog comments are so many times the things that lead me to write specifically especially on this record about the fight we are in.

How do you envision a service of worship 10 years from now?
I definitely think that the style of worship service where we try to attract people with production and great music is soon going to fade away. I am finding more and more that people want the simplicity of Jesus, and that alone. This does not mean that quality will go away, it only means that it will not be front and center.

For more info: ragamuffinsoul.com

The Fire

1-sanlaneSamuel Lane
Vineyard Records UK
samuellane.co.uk

Samuel Lane uses his gift of music to lead the listener on an intimate and passionate journey of worship. The beauty of The Fire is that it is an extremely accessible worship record that can be adapted to almost any setting. The lyrics and melodies are simple enough that a congregation can follow, but the simplicity in no way diminishes this gospel-centered album. Samuel’s honesty in worship and apparent heart to serve God and the Church with his music is beautiful. These songs are simply prayers put to music.

With a style that very listenable, Samuel has a humble grace about the way he writes and sings. “Take Me With You” sets the tone for the rest of the album with an attitude of sweet surrender and trust in Jesus. Moving through this record’s songs, “Fiery Love,” “Adore Him,” “Fall Afresh,” and “You Are With Us” are all standouts.

More: Samuel’s songwriting ability paired with his heart to lead the Church in the Worship of God fuse perfectly to create a beautiful, artistic and useful worship record for the Church.

Less: Much of the record has the same musical tone and dynamic; a bit more sound diversity would strengthen it.

Jay Akins
4 Stars

Peavey AT-200 Auto-Tune Guitar

1-atguitar

By Eddie Vincent

Lets you focus on making music rather than staying in tune

It’s indisputable that being able to tune your instrument is vital to becoming a competent guitarist and no technology should replace ear training. However, there are times when keeping a guitar in tune with itself and with others is a challenge. New strings, temperature variations, personal playing technique and the nature of how guitars are intonated all work against you. The AT-200 addresses these issues seamlessly and adds a number of cool features and sounds that make it worthy of serious consideration.

Peavey have been making innovative guitars since the ‘70s and I’d been looking forward to getting my hands on their latest offering ever since reading about the AT-200 last summer. The one I got for review came well-boxed and set-up to play. The action was low and the neck relief spot-on with no buzzing. Inside the guitar is housed a DSP chip with Auto-Tune for Guitar (ATG) technology from Antares. The system is powered by 4 AA batteries or from an optional breakout box, the AT-200B.

ATG controls pitch by two means. The first is called “String-Tune” and that’s what tunes your guitar. It’s armed by pushing the Tone knob into the down position, strumming the open strings and pressing the Volume knob momentarily. You can hear the strings tune to pitch without any moving parts. If you finger any notes during the process, then alternate tunings are the result. Press the second fret on the sixth string as you strum and you get a drop-D. 

The second component is called “Solid-Tune” and that’s what keeps the guitar in tune up and down the neck, even if the guitar’s intonation is off. Mine was pretty well intonated at the 12th fret, but with ATG activated it was perfect everywhere. I tried playing various sorts of chords all along the fingerboard and each one rang perfectly in tune. Intonation has always been a compromise for the guitarist, but no longer with the AT-200.

Other benefits of this technology include Virtual Capos, Alternate Tunings and Doublings, as well as the capability of emulating acoustic and other electric guitars. All of your settings can be stored as patches that are quickly retrievable, either by fretting a note while pressing the Volume knob or via MIDI. There’s an 8-pin DIN plug on the AT-200 that connects to the AT-200B breakout box or directly to an iPad or MIDI foot controller using a standard 5-pin MIDI cable.

I took the AT-200 to band practice to hear how it sounded live with bass and drums and wasn’t disappointed. We practice in a garage and while the other guitarist was frequently re-tuning his guitar as it adjusted to the ambient temperature, my tuning was locked in. Plus, we’re all tuned down a half step to Eb and it was a snap for me to “capo down” virtually and concentrate on making music.

The AT-200 I received came with all of the expansion packs pre-installed that are now available from Antares. I tested the virtual capos, alternate tunings and different guitar sounds. These include an acoustic 6-string and 12-string, and 8 different pickup types. I particularly appreciated the acoustic guitar sound and the vintage lipstick-tube pickup emulation. Antares is currently offering free demos of the acoustic guitar patch and more.

There’s too much to describe about the AT-200 Auto-Tune guitar and its potential in just one page. I highly recommend that you check out the links below and learn more for yourself. 

More: Ideal for sharing with volunteers, perfect tuning every song, ability to store alternate tunings and capo positions for different singers, upgradable with more sounds and features, works as a normal electric guitar too

Less: MIDI interface and computer required for updates and add-on packs

List price $999.99
Street $499.99

www.peavey.com/products/at200
www.autotuneforguitar.com