Fighting the Filtration


By Kristian Ponsford

How one worship leader broke the pattern of monotony that may have been causing his congregation to “tune out.” 

A few years ago I moved to a new house situated along the flight path into Manchester airport, one of the busiest airports in Northern England. The first few weeks consisted mainly of broken sleep and sudden shock as yet another noisy plane would cut through the air above our little house. However, in a surprisingly short amount of time I adjusted to the familiar sound of the aircrafts and soon I didn’t even hear them.

Our next house was in a town centre adjacent to a shopping centre and a multi story car park which was also the evening residence for a tribe of noisy seagulls. At 6am every morning the metal shutters of the centre were pulled open, the alarms reset and the seagulls would launch into full chorus. Again, within a few months this noise was simply filtered out.

Scientists explain this process of filtering as Habituation. They refer to a specific structure in the brain stem called the pons, which as well as our hearing deals with our sleep, respiration, swallowing, bladder control, equilibrium, taste, eye movement, facial expressions, facial sensation, and posture. This process of habituation is even the main form of treatment for hearing issues such as Tinnitus.

Habituation is defined as the brains ability to filter or ignore familiar, repetitive or even boring noises.

Ignored Much?
Now as a worship leader I find this all a bit scary.

I wonder how long it takes the average brain to filter out our repetitive and familiar sounds. How many songs does it take before my acoustic guitar is no longer heard, or the same familiar song rock arrangement is simply ignored. Maybe the excitement expressed when a new song, sound, band or genre comes along is not just due to its creativity but because it is fresh or more accurately refreshing.

Like many people I love music and the way it can move people. I love the way music is constructed and layered. I love musical creativity and expression. And I’m often frustrated that my passions outstrip my abilities. All of these thoughts instigated a change in the way I lead worship and started me on a journey of experimentation.

In short I wanted to freshen up the way we did musical worship, the instrumentation, the sounds, the textures.

One Solution
It was amidst all of this that I discovered loops. Loops are basically tracks designed to compliment your band but provide the sounds and textures usually reserved for the studio or huge productions.

Go and listen to some music that really moves you but this time really listen. The dark room, eyes closed, music loud, kind of listen. Study your favourite band’s album and you begin to notice the little textures that are so easily missed. In my music collection I started to notice the little electronic beeps, the multi layers of pads, the lush string parts, solo cellos, multiple pianos, the synth bass parts below the normal bass, the electric drum sounds mixed with the acoustic kit and so on. These are the textures and sounds missing from most worship bands and these are the parts that loops can provide. This is where technology and worship can collide beautifully. 

I believe technology can be to our era what the Cathedrals were to previous worshipers.

Walk into a Cathedral and the sheer size and grandeur of the place screams of the glory and majesty of God. Now an aspect of that is missing in most modern worship settings. Maybe the use of technology, media and well-crafted sounds can draw our worshippers to a higher place to a sense of the majestic and to a place of wonder in worship.

This is why I love using loops and technology in our worship times.

Loops are more common than you might think too, in fact it’s harder to find chart topping bands that don’t use loops when playing live. The worship scene is readily accepting and recognising the advantage of loops and there is a vast online community offering support and guidance.

The application of running loops varies from simple iPod setups to laptops and midi controllers. Personally I use a brilliant piece of software called Ableton Live to trigger my loops. Ableton is amazing and is one of the most versatile programs ever.

Ableton can be found in many DJ setups or is usually being run on the macbook you often notice sat next to the drummer.

Probably the biggest reason I chose Ableton was the fact that I am still in total control of the loop. I am not playing to a backing track. Ableton allows me to move around the song with ease and with the press of foot pedal I can trigger off the verse or repeat the chorus or bridge. I can play with loop and not to loops. 

In fact, I’m now a self-confessed Ableton geek and in our church Ableton feeds multiple sends to our desk for strings, beats, guitar parts, keys & pads. It also feeds clicks and band director cues into ears so we are all super tight. Ableton controls our projection software and triggers off lyric video in time with our loops. It turns the pages on our iPads and pdf chord sheets and Ableton can even control our lightning rig! 

Since the introduction of loops into our worship set up our band is tighter, our musicians are more expressive and our church is more engaged. What more could I ask for?

Technology is my pile of bricks and I aim to creatively pair it the with the cement of servant hearted musicians to build something that is bigger than all of us. To build an environment that allows people to engage with God and lives to be changed.

Kristian is a Worship Leader, Songwriter and Ableton trainer with a passion for seeing the church engage in new, fresh and relevant ways. This is coupled with his love of using technology, loops, samples and DJ equipment in his worship leading. Highlights of his year includes leading at large UK festivals such as New Wine & Spring Harvest. Visit,


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    7 comments on “Fighting the Filtration

    1. Pingback: Fighting the Filtration | Worship Leaders

    2. What surprises me most is that you have a “lightning rig!” Can your preacher call down lightning – on demand? That’d be darned impressive! :)

      Really, nice article – it’s something I’ve said about our songs, prayers, creeds and liturgies – they are all meaningful and beautiful, but only if they are not habituated. You have to think about and mean all the words that are said/sung/heard. That’s not to say that we shouldn’t do them, but we need to do them differently, every now and then, to refresh our brains and let words sink in – rather than in-one-ear-out-the-other!

    3. Pingback: So Often That You Won't Even Notice It | Worship Links

    4. I agree, loops make a huge difference in keeping a band tight. If you haven’t played with loops before, it can take a bit of time getting used to, musicians are usually unaware of how far off a band can get from original tempos, or how much they sway and flow within a song. A loop requires everyone to stay back, and that to me is the best way to describe the best way to play with a loop. Lean back on it, don’t tug at it. Let it carry you, don’t try to force it. Once everyone gets that settled feeling, it actually feels like you have more time to do stuff, which is what I think Kristian is describing when he says everyone is more creative. There are dependable things going on all the time, so you don;t have to be responsible to “hammer out” the rhythm for everyone, you can just express your portion of the arrangement. I confess that we have not used Ableton, I am intrigued and will look into it. We have set up all the loops we use from a drum machine, which has worked well for us, but it would be nice to create some synth and other layers as well. I will also say that playing with a loop makes you a better player without it. For those in churches that don’t have the advantage of that equipment, practice at home with recordings, most of them are recorded to loops and fixed rhythm tracks, it will teach you how to play on time without the annoying metronome sound in your head!

    5. I’d love to be able to use these kind of things but I’m not really sure how to do it. It would be cool to have a relaxed, non tech geek atmosphere to try them out before purchasing. I would also need some hand holding setting it up in the church (not to mention selling the idea to our session board). It seems difficult to manage while also trying to play and sing. I read that you have control on when to turn it off or go to another part of the song but I’d like to know how long that took to master. For smaller churches this type of thing seems like pie in the sky but I want to move into the future so I’m wondering how we can make this kind of thing more accessible to the non tech folks.

    6. Ableton Live is a great tool that offers incredible flexibility. But, if you don’t quite have geek status, try using more basic and user friendly loops or multi-tracks first. Try Band-in-Hand at or’s Worship Backing Band at These apps can be run on an iPad/iPhone or laptop respectively, and let you choose which instrument tracks to turn on or off for each song. You can even tweak the key up/down and add in background vocals. Check them out.

    7. Thank you all for your comments.
      Bruce, whoops! Yes a “lightning rig” would be very cool! ha

      John, I completely agree with you. I now prefer to play to a click and find it so freeing!

      Melanie, I’d love to help you on your journey. Please check out and get in touch. There are loads of great resources online including and

      Fred. Worship Backing Band is great and they are about to launch version 2.0. Its amazing and real cost effective rival to Ableton. I’ve been playing with it for the last few days and I’m seriously impressed!

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