Casio PX-5S Review

Casio PX-5S Review

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Church Use: Stage piano

Features:  The last time I had a stage piano was probably 10 years ago…and it had a floppy drive, no MIDI capabilities and made helicopter sounds on patch 100.  Needless to say I’ve since become more of a synth player myself, but after spending some time with the PX-5S, I’m thoroughly impressed with the new Casio stage piano. 

The PX-5S sports 88 hammer-action keys with 256 notes of polyphony and utilizes the Hex-layers feature of layering up to 6 samples on one patch.  Four knobs and six sliders can control a variety of internal effects when using the PX-5S as a standalone keyboard, and can be assigned to control almost anything inside the keyboard.  MIDI I/O and USB/MIDI connectors are included on the back panel of the stage piano, and can be used as a controller and a standalone device at the same time.  The entire stage piano weighs in at just 24 pounds, (that’s under half the weight of a Yamaha Motif) and runs off an included power supply or 8 AA batteries.

Sound:  The full 88-key, hammer-action keyboard is much more than a stage piano.  Powered by Casio’s proprietary AiR sound engine, the factory sounds are deep, realistic, and very useable in any worship service.  I tend to favor the more mellow piano samples, which the PX-5S nails exceptionally well, in addition to a few electric piano, harpsichord, and clavinet patches.  The effects section is quite robust, including reverb, delay, EQ, compression, phaser, chorus, tremelo, auto pan, rotary, ring mod, pitch shifter, and many more.  One of the nicest features of the PX-5S’s sound engine is the seamless transition when changing from patch to patch, meaning that when you change from say piano to strings, the piano does not stop sustaining until you let the keys go. 

More: Great sounds and feel, the perfect stage piano for the worship leader

Less: The sounds are limited, making it less ideal for a synth player

Price: $999

For more information visit casio.com

Yamaha MOXF6 Review

121588-d4e419d68795140496218aadd6bab935Yamaha MOXF6 Review

Church Use: Synth, MIDI controller and audio interface all in one

Features:  The Yamaha MOXF6 is the newest in a long and highly regarded line of MOTIF family of keyboards.  The MOXF6 aims to be the center of your studio as a USB audio interface, MIDI controller, DAW controller, and the sound of the MOTIF XF synth all in one.  With 61 semi-weighted keys, the MOXF6 is lightweight and highly portable for use on stage and in the studio.

Application:  Drawing on the legendary sound library of the MOTIF XF series, the MOXF6 adds more sounds and effects and utilizes seamless integration with DAW software to create the ultimate keyboard/controller hybrid.  The MOXF6 even has an open slot for Flash memory to expand the sounds using flash cards.  One of the best features of the MOXF6 is the built-in 4-in, 2-out audio interface, allowing recording and playback without the use of an additional audio interface, making it perfect for live use with a computer.  Included with each MOXF is the Cubase AI7 recording software to get you started recording right away.

More:  Great all-in-one package, more portable than any other MOTIF

Less: Weighted keys only available on the 88-key version

Price: $1199.99

For more information visit yamahaproaudio.com

Novation Bass Station II Review

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Function: Analog bass synthesizer
Price: $499.99
What’s New:  In a modern, digital world, is there room for one more analog synth?  With the market oversaturated with VST plugins, modeling synths, and digital emulations, the Novation Bass Station II shows us why analog synthesizers will never truly be replaced. 
 
Features:  Based on the classic original Bass Station, the Bass Station II is a mono synthesizer with two oscillators (and a sub oscillator), two filters, a step sequencer, arpeggiator, and fully analog effects section.  Bearing a resemblance to its ancestor with its black, white and blue color scheme, the Bass Station II sports full sized, synth-action keys and a patch save function.  The back controls are fairly straightforward: power on/off/bus powered (via USB), mono ¼” output, ¼” sustain pedal in, mono ¼” external audio in, MIDI 5 pin I/O, ¼” headphone out, and a USB port.  The oscillators are capable of generating sine, triangle, sawtooth, and square/variable pulse width waveforms and both oscillators can be synced, detuned, and played at four different octaves.  All the oscillators then are processed by the mixer section, which also allows the noise generator, ring modulator and an optional external audio source to be mixed together.  The signal then travels to the filter section, where the user can choose between two filter types, an “Acid type” (diode ladder type), and the “Classic type” based on the original Bass Station filter.  Both LFO’s are independently adjustable between rate and delay time and feature triangle, sawtooth, square, and sample and hold waveforms.  Amp and modulation envelopes control attack, decay, release, and sustain and pass the signal to a distortion send and filter mod effect.  The arpeggiator features 32 different patterns between up to 4 octaves and the step sequencer offers 32 preset rhythms and allows you to create your own.  The keyboard can be powered by an included power adapter or via USB from a host computer, making it a mini MIDI controller as well as a hardware synth.  One of my favorite features is the external audio input, which routes through the filter and effects section of the Bass Station II.  Octave switching and transposition is achieved via two big blue buttons above the mod wheel and pitch bend.  For giant octave leaps, the Bass Station II’s pitch bend is automatically set for an octave bend on the majority of its presets.
 
Feel:  Everything on the Bass Station II feels great.  Every knob and slider feels natural and smooth and the full-sized keys feel great.  The two octaves are more than enough for natural-sounding synth bass playing.  To my satisfaction, none of the controls felt cheap or loose, (a BIG concern of mine on both the Arturia Minibrute and Korg MS-20 mini) and the keyboard feels great.  The blue lights in the pitch bend and mod wheel are a nice modern touch, giving the keyboard a modern accent to an otherwise classic look. 
All these little touches add to the idea that you’re playing a pro keyboard, not a toy. 
 
Sound:  As soon as I heard the first note on the Bass Station II, I knew it was a unique synth.  With its twin oscillators and filters, the Bass Station II sounds huge and focused at the same time.  The first preset is a basic synthesizer setup and it shows off the sound of the oscillators and filter section quite well.  Detuning the oscillators slightly creates massive bass textures, especially when adding the sub oscillator.  My personal favorite part of the synth is the filter section.  The extra large cutoff frequency knob allows pinpoint control over the filter cutoff, and as it’s the biggest knob on the control surface, you’ll never have to look for it in the dark.  The overdrive is a real standout.  Warm and growly, it’s hard not to crank the drive it sounds so good!  The LFO’s and modulation section give complete control over every aspect of the synth you could possibly want, and it’s possible to route and assign the mod wheel to control almost any feature.  A completely unique sound, the Bass Station II falls (roughly) somewhere between a Juno 106 and Roland TB-303: big and fat but focused and crisp as well.  Although made for bass, the Bass Station II sounds great for leads and the arpeggiator makes it perfect for rhythmic, pulsing sounds.  One of the most helpful features of the Bass Station II is the fact that you can dial in the tempo to the exact bpm, especially helpful for syncing the arpeggiator and step sequencer to tempo without MIDI.  The distortion effect at the end of the chain sounds fantastic, giving the bass a nasty edge while retaining the clarity and low end. 
            As an owner of the Novation Bass Station plugin, I tried the hardware against its software companion out of curiosity.  Although the plugin sounded good, there was no comparison in the low end; the Bass Station II was bigger, wider, and crispy than the plug, even when I switched the software to stereo. 
 
Bottom Line:  If you want a synth bass, the Bass Station II is the best in its price range.  You won’t find another synth that sounds or feels as good with as many features as this for under $500.  Although it may seem like a one-trick pony, the monophonic Bass Station II offers more with its one note than most digital emulations and modeling synths.  Its completely unique sound makes it stand out a lot more than other classic keyboards and the feel of the controls top all the analog synths in its class.  The Bass Station II offers a tremendous value and quality and I wouldn’t be surprised if just like its ancestor 10-20 years down the road, it becomes a highly sought-after classic. 
 
For more information about the Bass Station II and other products by Novation, visit novationmusic.com.