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Fender Tone Master Deluxe Reverb Guitar Amplifier

Fender Tone Master Deluxe Reverb Guitar Amplifier

Mark Conklin
Fender Tone Master Deluxe Reverb Guitar Amplifier BLOG HEADER

Classic Tone for Modern Worship

About Me

I’ve been playing guitar for over forty years and have seen the music business from just about every angle. I’ve been a gigging musician, a professional songwriter, a producer, and even a music executive. Recently, I’ve returned to my roots, both spiritually and musically, launching my music ministry with the release of my first Christian/Gospel album, “The Gospel According to Mark,” featuring scripture narration by the iconic Gloria Gaynor. As I prepared to play the album live, I realized I needed a new amp. There’s no way I was going to lug around a 64lb Fender Twin Reverb like I did in my younger days. But I’m still a sucker for the look and sound of “old school” Fender products. So, what’s a vintage gear head like me to do? Fortunately, a friend told me about the Fender Tone Master Deluxe Reverb.

About the Fender Tone Master Deluxe Reverb

When it comes to combining vintage aesthetics with modern technology, the Fender Tone Master Deluxe Reverb hits the Mark (pun intended)! Its classic blackface design instantly takes you back to the golden era of blues, soul, and rock and roll, but its internals are all about 21st-century innovation. While most amp modelers offer a variety of amps to choose from, Fender has decided to faithfully replicate one specific amp at a time, ensuring focus on authenticity and capturing the true essence of the amps modeled in the Tone Master Series.  There is also a blonde version of the Deluxe Reverb available, but this review is only about the black vinyl version that I own.

Specifications and Features

  • Power Output: One of the standout features is the power attenuator, offering settings for 22, 12, 5, 1, 0.5, and 0.2 watts. In my small bedroom home recording studio, playing at 0.5 watts feels great and isn’t loud enough to drive my wife or the neighbors crazy. When maxed out the amp offers 100 watts of digital sound that is loud enough for most any situation, you’ll find yourself in.  Note: For those keeping score at home, 22 tube watts equals 100 solid state watts which basically means, it’s plenty loud!
  • Speakers: It houses a single Jensen N-12K neodymium speaker, delivering crisp, clear sound with plenty of punch.
  • Weight: Weighing in at just 24 pounds, this amp is a back-saver, especially for “people of a certain age” like me. Happily, gone are the days of hauling a 64lb Twin Reverb to gigs.
  • Controls and Channels: Just like the “real thing,” the straightforward control panel includes Volume, Treble, Bass, Reverb, Speed, and Intensity knobs, along with two channels (Normal and Vibrato). If I had my preference, I would have included a “mid” tone control. I know it’s not in the original version, but it would be a tremendous addition for tone shaping to this amp.
  • Effects: The built-in reverb and tremolo are lush and immersive, faithfully capturing the essence of the classic Deluxe Reverb sound. Full disclosure, I prefer playing through the normal channel (which I think sounds better, as it often does in the original tube version) and using my Strymon Flint reverb and Fulltone Supa Trem pedals for their character and added versatility. If you do use the built-in effects, I recommend getting the firmware update from Fender that smooths out the reverb and “virtually” removes the bright cap. You can download it from the Fender website. It’s easy to do and makes a BIG difference, in my opinion. Without it, the reverb tends to get unwieldy over 2 or 3 and isn’t nearly as usable or tweakable.
  • Output Options: The balanced XLR line-out and cabinet simulator with two distinct impulse response simulations are some of its best features. You can silently record using the “mute” switch or run directly to a PA system, using the amp as a monitor in mic-less situations. And because of the power attenuator you can monitor at lower levels if you prefer and keep your stage volume low. For recording you can bypass the IR simulators and use your own in your DAW.  My only complaint about the IR mic modelers (Shure 57 and Royer 121 respectively) is that you can’t use them both at the same time and blend them as I typically would in a recording situation. That would be a nice feature for the next model.  Just in case anyone from Fender is reading this review!

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Performance and Sound

In terms of performance, the Tone Master Deluxe Reverb delivers warm, full-bodied tones that are both dynamic and responsive. The digital modeling is so precise that it’s nearly indistinguishable from a traditional tube amp, offering the same harmonic richness and touch sensitivity.

I’ve read some reviews that say the Tone Master doesn’t match up to a real tube amp when played side by side, but I’ve never fully understood that argument. Your audience isn’t going to be listening to an amp shootout! To me, what matters is that the amp sounds great (to my ears) and does what I need and want it to do at a price I’m willing to pay. Plus, no two tube amps sound the same, so comparing a Tone Master to any random Deluxe Reverb isn’t necessarily “apples to apples.” I suppose you’d need to find the original amp that it was modeled after and shootout with that one for a true comparison.

Real-World Use

The first time I had to take the amp out of the house was for an interview/performance on a cable TV show. When the sound tech came over to move the amp during sound check, I saw the look of shock on his face as he realized how light it was. At that moment, I knew I had made the right decision.  I was getting all the Fender tone I wanted at half the weight and volume and a portion of the cost.

I’ve read some complaints about how the amp handles extreme distortion and fuzz pedals. That’s not something I typically do. I generally set the volume between the “sweet spot” of 4.5 and 6 and use an overdrive pedal as needed—nothing too heavy. So that hasn’t been an issue for me personally, but it’s something to consider and test out if you’re someone who really cranks up the fuzz.


Some might argue that for a bit more money, you could buy the real tube amp version. While that may be true, the lightweight design, power attenuator, and direct line-out with mic modeling make the Fender Tone Master Deluxe Reverb an exceptional choice. One that I’m certainly glad I made.

Retailing for around $1000 and often found “on the street” for about $700, this amp provides incredible value and versatility. For worship leaders seeking reliability, portability, and top-notch sound quality, the Tone Master Deluxe Reverb is a standout amplifier that honors the Fender legacy while embracing modern convenience.

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