Martin 000-28 Acoustic Guitar Review with Andrew Berghold
The Martin 000-28 is a classic acoustic guitar that has been praised for its warm, rich tone and balanced sound. It is a versatile guitar that can be used for a variety of genres, including folk, blues, and country. The 000-28 is a favorite among musicians of all levels, from beginners to professionals.
Features
- Solid Sitka spruce top
- East Indian rosewood back and sides
- Ebony fingerboard
- Mahogany neck
- Abalone rosette and purfling
- Bone nut and saddle
- Chrome Grover tuners
- Gold Martin logo
Sound of the Martin 000-28
The Martin 000-28 has a warm, rich tone with excellent balance. The highs are clear and articulate, while the lows are deep and resonant. The mids are well-defined, giving the guitar a full and well-rounded sound. The 000-28 is a very responsive guitar, and it projects well.
Playability
The Martin 000-28 is a very comfortable guitar to play. The neck is smooth and easy to play, and the action is low. The guitar is also well-balanced, so it doesn’t feel heavy or cumbersome.
Versatility
The Martin 000-28 is a versatile guitar that can be used for a variety of genres. It is a great guitar for folk, blues, and country music. It can also be used for rock, pop, and jazz.
Value
The Martin 000-28 is a high-quality guitar that is built to last. It is a valuable instrument that will appreciate in value over time.
Conclusion
The Martin 000-28 is a classic acoustic guitar that is loved by musicians of all levels. It is a versatile guitar that can be used for a variety of genres. It is a high-quality instrument that is built to last.
Overall Rating: 5/5
Pros:
- Warm, rich tone
- Excellent balance
- Comfortable to play
- Versatile
- High-quality construction
Cons:
Can be expensive
Recommendations:
The Martin 000-28 is a great choice for musicians of all levels, from beginners to professionals. It is a versatile guitar that can be used for a variety of genres. It is a high-quality instrument that is built to last.
Other Martin Guitar Reviews
Features of the Martin 000-28 Acoustic Guitar
Feature |
Value |
---|---|
Body Size | 000-14 Fret |
Finish Top | Gloss |
Construction | X Brace |
Scale Length | 24.9″ |
Brace Shape | Scalloped |
Fingerboard Width at Nut | 1 11/16” |
Top Material | Solid Sitka Spruce with VTS |
Neck Shape | Modified V |
Back Material | East Indian Rosewood |
Neck Taper | Standard Taper |
Side Material | East Indian Rosewood |
Electronics | Optional Fishman Gold Plus Natural I |
Top | |
Top Color | Antique Toner |
Bridge Style | Modern Belly – Drop in Saddle |
Binding | European Flamed Maple |
Bridge String Spacing | 2 1/8” |
Top Inlay Material | Multi-Stripe |
Bridge Material | Ebony |
Top Detail | None |
Bridge Pin Material | Black Plastic |
Pickguard | Tortoise Pattern |
Bridge Pin Dots | Abalone |
Pickguard Inlay | None |
Saddle | Compensated Bone |
Rosette | Abalone with Multi-Stripe |
Saddle Radius | 16″ |
Body | |
Brace Material | Sitka Spruce |
Back and Sides Color | None |
Back Purfling/Strip | Style 28 |
Back Inlay Material | Multi-Stripe |
Heelcap | European Flamed Maple with Multi-Stripe |
Side Detail | None |
Endpiece | European Flamed Maple |
Side Inlay Material | Multi-Stripe |
Endpiece Inlay | Multi-Stripe |
Neck | |
Neck Material | Select Hardwood |
Fingerboard Material | Ebony |
Finish Neck | Satin |
Fingerboard Width at 12th Fret | 2 1/8” |
Neck Color | Dark Mahogany |
Fingerboard Inlay Style | Diamond & Square Long w/ Signature |
Number of Frets Total | 20 |
Fingerboard Inlay Material | Abalone |
Neck Joins Body At | 14th Fret |
Fingerboard Binding Material | None |
Side Dots | Mother of Pearl |
Headstock | |
Headstock Shape | Solid Taper |
Tuning Machines | Nickel Open Gear |
Headplate Material | Ebony |
Knob | Butterbean |
Headplate Logo Style | Script Old Style Overlay |
Nut Material | Bone |
Headplate Binding Material | None |
Misc | |
Case | Hardshell |
Left Handed Availability | True |
Label | Paper Label (Signed by Brooke Ligertwood, Numbered in Sequence w/ No Total) |
Pleked | True |
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Raised amid the vibrant harmonies of a gospel choir in downtown Kansas City, Andrew Bergthold's earliest echoes of life were melodies sung in his home church. The piano keys were his first playground, yet the rigid lines of sheet music were mere suggestions to his creative spirit. His penchant for improvisation soon blossomed into crafting original songs, capturing their essence on his father's vintage cassette tape recorder. Andrew's youthful ingenuity shone as he masterminded a way to layer melodies, long before the age of digital recording, his bedroom becoming a sanctuary where instruments and vocals intertwined in an intricate dance of sound. Throughout his high school and college days, Andrew's musical journey was marked by the formation and leadership of bands that spanned the genres from punk rock's electric rush to worship's reverent tones. His notable venture, We The Kingdom, found resurgence and new direction with the collaboration of the Cash Family. Beyond the stage, Andrew's influence extends to the realms of writing and producing. His creative signature can be heard in commercials for global brands like McDonald's, in the adrenaline-pumping soundtracks of major movie trailers, atop radio charts with #1 singles, and among the honored nominees of the Dove Awards. His work contributed to a project that secured a Grammy, etching his mark on the legacy of music. Yet, for Andrew, the true measure of achievement is not found in accolades but in the authenticity of his art. His mission is to ignite the creative spark within others, guiding them to flourish in their talents. With every note and lyric, he directs the spotlight upwards, acknowledging Jesus as the master artist, the source of every perfect gift and the inspiration behind each chord he plays.