The Essentials to a Well-Balanced Life of Worship
Several years ago I was introduced to the meaning of Maranatha by the late David Hubbard, then president of Fuller Seminary. David marveled at the fact that a contemporary Christian music company – a company founded by Pastor Chuck Smith that I had the privilege of running in the early days of the Jesus Movement – would be named Maranatha! and he went on to explain the significance of the term in early Christian worship. For the first believers, he told me, Maranatha was a shout of confident hope.
So, long before the reemergence of that ancient language in Mel Gibson’s The Passion of The Christ, Aramaic had been showing up on overhead screens and in hymnals around the world!
An Old Testament scholar and an avid clarinetist, Dr. Hubbard went on to explain to me that there are four other distinct words of worship found in Scripture. In the Old Testament we find Hallelujah, Hosanna and Amen. The New Testament introduces Abba and Maranatha.
Needless to say, this was invaluable information in my line of work. At that time, I spent the better part of a decade helping to develop what has since become known as “Praise and Worship,” which Maranatha! Music pioneered with the help of some gifted and anointed artists and executives. It was nothing short of a revelation to realize that the Bible itself provided the form and structure by which worship music received its shape and substance.
Using the insight Dr. Hubbard provided, we at Maranatha! Music were able to “exegete” four of his words of worship in musical form and those albums have since become classic examples of contemporary worship at a key stage of its development.
A few of those songs even went on to become “hits.” “I Will Be With You,” for example, was written by Billy Batstone and sung by Denny Correll and became a staple on Christian radio, which was very unusual for a worship song at that time. The Five Words series was birthed at Maranatha! with the help of Dr. Ronald Allen, Professor of Hebrew Scripture at Western Seminary in Portland, Oregon, who would prove indispensable in articulating the theological underpinnings behind the music we were recording.
That these five simple words provide invaluable insight into God’s own prerequisites for worship can be clearly seen in the Lord’s Prayer, where Jesus models them all, even as He teaches us how to pray: “Our Father who art in heaven, hallowed be thy name,” is a reflection of both Hallelujah and Abba; “Thy Kingdom Come” speaks of Maranatha, while “Deliver us from evil,” evokes Hosanna. Finally, in His conclusion, Jesus offers “Forever and ever, Amen,” as a reminder of our eternal agreement with the work and will of the Father.
As I have pondered the implications of the Five Words of Worship in the years that followed our groundbreaking project, it occurred to me that this simple lexicon offers a rich theology of worship for every believer. For the first time we had an effective, Biblically sound criteria to evaluate music; a way for worship leaders to achieve a critical balance in their work of creating songs and song sets that could speak to the particular needs of the congregation to which they minister. Was the Spirit moving toward encouraging intimacy and respect towards the Father? Then an Abba song was called for. Was there a heartfelt desire to celebrate our salvation and deliverance? What better way than with a resounding Hosanna song? Did the congregation need to boast about the Lord? It was time to for a Hallelujah song.
I think you can see where I’m going with this. Songs have threads that connect them to these primary worship categories. But, rather than just reiterating archaic terms that have no modern meaning, we need to unearth these treasures in a way that’s meaningful to our chapter in the ongoing story of God’s people. We need to encourage musicians, songwriters and worship leaders to delve deeply into this rich heritage, equipping them to bring the voice of today’s church into harmony with the chorus of the faithful throughout the ages.
In the process we can begin to access the glorious tradition of hymnology and liturgical arts that fill the storehouse of Christian music and link us to the great cloud of witnesses watching and listening as we bring our gifts to the altar. Yet, the Five Words of Worship are about more than tradition. They are vital expressions of our living faith and it is incumbent on us to make them relevant again to our time, our place and our calling.
It’s all about teaching and inspiring, that’s what this little handbook is all about. It’s a first step to understanding how worship brings us into the presence of God by acknowledging, honoring and celebrating His attributes. The Puritans had a term for it: A complete diet of prayer. Think of these five words as the essentials to a well-balanced life of worship.
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While at Maranatha! Music, Chuck Fromm met his wife Stephanie, who was finishing her degree in communications at CSUF; they married on August 19, 1983. Their family began with the birth of Nicole on January 2, 1986, followed by Wesley on June 5, 1987, Taylor on February 28, 1989, Alexandra on March 17, 1992, and Michaela on September 20, 1999. Family and friends were always at the center of Chuck’s universe. Despite his hard work, he loved celebrating life and enjoying God’s creation, especially on trips to Hawaii and Yosemite/Bass Lake, where he created lasting memories of water-skiing, bike rides, and star-filled nights with games and ice cream sundaes. Chuck had a knack for turning business trips into special experiences, sharing history and adventure with each of his children. He took special pride in his children’s accomplishments, celebrating graduations and capturing moments to share on Facebook. Walking Nicole down the aisle to marry AJ Schrautemyer III and meeting his grandchildren, Isla Marie and Albert John IV, were among his proudest moments. The Fromm family actively participated in various roles at conferences and the magazine. Chuck and Stephanie loved hosting people in their home, including Bible studies led by Chuck’s cousin, Chuck Smith, Jr., where Chuck used his city management experience to resolve city ordinance issues for home gatherings. Chuck’s global circle of friends benefited from his endless creativity and ideas, one of which led to the critically acclaimed The Odes Project. Collaborating with close friends and scholars, this project was one of his most satisfying accomplishments.